“Host:” Quarantine Horror for the Online Generation
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.

Sartika, a pregnant young woman, moves away from her city hoping to provide a better future for her child. She meets Maya, a coffee shop owner in Pantura. Maya takes care of Sartika and helps with her deliveries. After Sartika gives birth, Maya manipulates her into working for her as the "Kopi Pangku" waitress, a job that requires her to serve coffee on a man's lap, until one day she meets a fish distributor truck driver named Hadi and falls in love. Will she find happiness?
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
A trio of girls form a band and enter a singing competition together after learning they work best as a team.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
As I typed this, Chris Evans was being “cancelled” on Twitter. I did a little research on this since I always thought Chris Evans was well-received. It turns out the backlash is because of a white savior movie he made called Red Sea Diving Resort.
Twisting what seems to be obvious setups and frameworks is what sets the story structure of Squid Game apart. I appreciate that this narrative is complex but not complicated; an easy enough plot to wrap your head around while still treating the audience like an equal participant in this social commentary