Sofia Coppola’s ‘On the Rocks’
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.

Aurora, a divorced woman, receives a call from her 14 year old son's principal to let her know that he is being expelled on the last day of class. In an attempt to reach her son, she fights to fulfill her duties as a publicist, daughter, sister, and single mother. Meanwhile, her son deals with the insecurities of growing up. A chaotic city and an outdated education system trap mother and son in an increasingly impersonal world.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.
An apocalyptic tale captivates the nation as it teaches us to love even in the hardest situations.