"Furie": Never Touch a Tigress That’s Guarding Her Cubs
If you’re looking for an engaging female-led film that touches on the genres of action, drama, and thriller, look no further than Le-Van Kiet’s "Furie".

"In cinema one extracts the thought from the image; in literature the image from the thought" (Levinson). This reflection was the catalyst for the photographic and narrative strategies of "On Land Over Water." "On Land Over Water..." was born out of an image-notion of a skid mark on a highway, photographed in close-up, revealing texture and form. The image would be positioned with a voice-over narration, telling the story of a young boy witnessing a fatal auto accident and its ensuing aftermath. Over the following winter months I meditated on the cinematic potentials of that notion, "On Land Over Water..." is the product of working out variations of that meditation. In story discourse, "On Land..."experiments with the possibilities of adopting the characteristics of the short story to the forms of cinema. (RK)
If you’re looking for an engaging female-led film that touches on the genres of action, drama, and thriller, look no further than Le-Van Kiet’s "Furie".
The Olivia Wilde renaissance is upon us.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.