Sam and Mun work with their mother, Mama San as poultry suppliers at the market. However, Sam and Mun's habit of stealing constantly brings trouble into their lives, if only because they are not good at it. Every time the duo goes off to rob a house, they dress up as various characters and spend time cleaning their victim's home. This drives Mama San crazy. If their shenanigans are not bad enough, when Que, a fellow villager who left for the city returns to their village, Sam and Mun both vie for her affections. Meanwhile, Embun and his gang of thugs are threatened by Que's presence as he sees Que as a rival. They kidnap Que and bring her to meet their leader, Lutfan. Will Sam and Mun be able to put aside their rivalry and sticky fingers to save Que?
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
The "Daredevil" renaissance is finally upon us! As we return to the Netflix show, let's take a look at the ways the show gets blindness right and wrong.
A gentle coming of age story, Water Lilies takes its time in exploring what it’s like to be a young girl trying to make sense of her sexuality in a heteronormative world.
Taika Waititi and the cast of Thor: Love and Thunder have been hyping up the gayness of this movie, and while there are queer characters, it's not quite the representation we were hoping for.
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.
