Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.
Leni Riefenstahl
Director
David Albritton
Self - High Jump, USA (uncredited)
Arvo Askola
Self - 10000 Metres, Finland (uncredited)
Jack Beresford
Self - Carries British Flag (uncredited)
Erwin Blask
Self - Hammer Throw, Germany (uncredited)
Sulo Bärlund
Self - Shot Put, Finland (uncredited)
Ibolya Csák
Self - High Jump, Hungary (uncredited)
Glenn Cunningham
Self (uncredited)
Henri de Baillet-Latour
Self - IOC, Stands with Hitler, with Hurdlers (uncredited)
Philip Edwards
Self - 800 Metres, Canada (uncredited)
Donald Finlay
Self - 110m Hurdles, Great Britain (uncredited)
Tilly Fleischer
Self - Javelin Throw, Germany (uncredited)
Stranger Things season 4 ups the ante to the max! The show’s scope has been expanding for the past three seasons, and boy do they give us a spectacle to behold. As much as I love spectacle, this season occasionally buckles under the weight of its own ambition.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
Striving for validation. Let’s be frank….we ALL want to be successful. Whatever we put our efforts into, ideally it is to make it culminate in the best possible results across the board, especially when it comes to what career path we are pursuing. We WANT to excel, to shine, to advance, to be acknowledged. AND…let’s hope that we also wish to better everyone around us to boot. However, what occurs when those whom we initially put our trust in suddenly become a burden instead of a boon? Do we falter under the weight of rejection? Or STAND UP for WHO WE ARE?
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
This holiday movie serves as the prequel to the TV series The Really Loud House.