
A young Roma girl named Fati finds out about her grandmother’s illness—anemia due to iron-deficiency. Disappointed because of her lack of money to buy the necessary medicine, she sees a notice in a discarded newspaper: ‘Ecological Action: wagons for old iron arrive in train station for recycling’. She comes up with a creative plan and goes to see Andrej, the local mafia boss who often visits Grandmother Fatima for fortunetelling. The superstitious boss orders his bodyguards to rob the train and deliver the iron to the old lady. Amazed by the ironic story, the police officers release Perhan and help to obtain the necessary medication for Fatima.
A group of criminal animals tries their best to reform themselves into good citizens to avoid serving time in prison.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
The series follows Mark Naird (Carell), a four star general who has been appointed to run the newly created Space Force