Manta Okamoto is a strange young man. He is prone to spontaneous tantrums. On the verge of hikikomori, he faces reality through numbers and with a brain full of crisp ideas. He’s also the most creative editor in the magazine where he works, even if he’s always late. One day, one of his seniors at the publishing house offers him a job: he could earn a lot of money just by taking care of a cardboard box for a few days. On the other side of town, a group of gangsters are missing something and will do anything to get it back.
With This is Us now on its fifth season and A Million Little Things on its third, we have a lot of material to entertain the hypothetical: if these two shows got in the ring together, who would come out victorious? Despite the endless recognition for the former’s success, I dare say I’d put my money on A Million Little Things once all is said and done.
YouTube surpasses Netflix but there is more to the story.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.
Desi Arnaz was an innovator in television and Lucille Ball was a sketch comedy clairvoyant of sorts; 'Being the Ricardos' focuses on their genius as a couple, but shies away from the interracial aspect of their marriage.
The most impressive aspect of this film is the honest and natural performances given by the on-screen duo.
