A 70-year-old woman transforms into her 24-year-old self after she's photographed at a studio, changing her life and those of the people around her forever.
B. V. Nandini Reddy
Director
Samantha Ruth Prabhu
Swathi "Baby" / Savitri
Lakshmi
Savitri "Baby"
Rajendra Prasad
Pasupuleti Kanakaraju "Chanti"
Rao Ramesh
Shekar "Nani"
Teja Sajja
Rocky
Urvashi
Sulochana
Naga Shaurya
Vikram
Aishwarya Bhaskaran
Vikram's Mother
Aneesha Dama
Divya
Raja Ravindra
Sarma
Jagapati Babu
Mysterious Person
As a whole, Sightless pushed boundaries between illusion and reality. It made viewers question if there really is a difference. Ellen was strong, brave, and even compassionate given her situation. She was a force to be reckoned with.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
A sweet slice-of-life anime that visualizes all the ways we creatively hide our vulnerabilities from the world.
At first glance, “The Good Liar” is a respectable piece of fiction, starring Ian McKellen and Helen Mirren. But underneath everything, the film expertly hones the unpredictability of deceit.
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