"Nightborn" and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.

Songwriter Ruben does not take life too seriously and at least of all love. After the sudden death of a fling, he finds out he is the father of her eight months old son. His life is suddenly turned upside down. Without any preparation Ruben has to take care of baby Oscar. And as if that isn't enough, her new sister in law Lucy decides she wants to take care of her nephew as well, if necessary together with Ruben...
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
A sweet slice-of-life anime that visualizes all the ways we creatively hide our vulnerabilities from the world.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
The Invite is witty, dramatic, funny, and probably the best comedy released this year so far.
A film that focuses on an algorithm for a dating app that will bring viewers in for a surprise.
The thing is, people like Wahlberg will only apologize if they have something to lose, which he did. His glamorous life, his reputation, and his career were all at stake.