Aussie Cops Keep It Real In "Critical Incident"
Critical Incident is worthy of a weekend binge, keeping you guessing right up until the end.

Official Welcome begins as a thank-you speech by an artist at an event organized in her honor. After the initial Thanks however, the Artist´s position changes from speaking about her supportersto speaking as her supporters about herself. She continues as eight different pairs of Artists and supporters with a script based on artists´ interviews, patron profiles, critics´ essays and curators´ speeches. Official Welcome attempts to engage the contradictory desire of artists tobe loved and admired even as we critique and transgress. It catalogs the play of bad faith and sincerity, cynicism and commitment, denial and ambivalence that haunt the rituals of recognition of human accomplishment in the arts. Commissioned by and first performed in 2001 at the MICA foundation in New York, this DVD documents Fraser´s opening performance at her mid-career survey at the Kunstverein in Hamburg.
Critical Incident is worthy of a weekend binge, keeping you guessing right up until the end.
The movie makes it abundantly clear that Meeka becoming an official heir is the most likely going to happen. But if you are expecting to see a movie about Meeka’s perseverance and eventual ascent to the throne, prepare to be deeply disappointed.
In Stowaway, director Joe Penna narrates the story of a starship crew (Anna Kendrick as Zoe Levenson; Toni Collette as Marina Barnett; and Daniel Dae Kim as David Kim) struggling with serious technical problems on a two-year mission to Mars. During the trip, they discover aboard the presence of Michael (Shamier Anderson), a stowaway who jeopardizes everyone’s life on board.
It’s not often in America that you turn on the TV and see a show or a movie with a Muslim protagonist. And when they do, they're usually a negative stereotype. Ms. Marvel changes all of that.
The second episode of the highly anticipated Afrofuturism series delivers with a high-speed race teaching us to go far beyond just accepting ourselves.
'Do Revenge' offers a 2022-relevant sociopolitical commentary that decries virtue signaling while promoting the inclusive virtues the nefarious power structures exploit.