“Omaha”: Innocence Broken by Economic Injustice
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.

Camille, a single mother and home helper, tries as best she can to raise her son Théo, who has severe language problems. Obliged to replace a colleague, she is forced to take care of Mr. Conti, a silent old man.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.
A wholesome love story that's perfect for fans of romance movies and animal lovers.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.