‘Malcolm & Marie’: A Promising Premise With Disappointing Results
Sam Levinson's latest film can't keep up with the excellence of its performances.

A pregnant woman is escaping from her husband by trying to delete her digital traces and identity.
Sam Levinson's latest film can't keep up with the excellence of its performances.
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.
This horror, action, and fantasy movie released on Disney+ has a symbolic aspect.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.