Not Much More than Magic in 'Maestro'
In 'Maestro,' we're left with an impression but not with an understanding of the main character.

On the last morning of the school ski trip, Agnes wakes up in the wrong room – hiding a secret she fears her best friend already suspects. With the bus leaving soon and emotions running high, Agnes struggles to keep control before everything unravels.
In 'Maestro,' we're left with an impression but not with an understanding of the main character.
The tale of two friends spans three films and gives wonderful representation for young girls everywhere.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
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