Are You There God? It's Me, Margaret. (2023)
This coming-of-age movie based on the 1970 book by Judy Blume gives viewers a scope on female topics in the quest for a religious identity.

The body of Shinsuke Maeda, a wealthy older man, is discovered in his garden. While at first glance it appears that he missed his step while exiting into the garden and hit his forehead on a flowerbed rock, it is established that a safe installed in the living room has been emptied. It seems that, the night before, Maeda left the hospital he was staying at of his own will and came home, and was robbed immediately after returning. His daughter Yumie Nagano insists that Chikako Inui, a woman her father had been seeing, must be the perpetrator. She says that Maeda was thinking of getting married to Chikako soon. However, Chikako finds Yumie and her husband suspicious. Troubled by debts incurred by opening their ramen store, they pestered Maeda and he pushed them away. She calmly points out that Maeda gave her a will in which he left all of the 50 million plus yen hidden in the safe to her, so she had no reason to steal from him.
This coming-of-age movie based on the 1970 book by Judy Blume gives viewers a scope on female topics in the quest for a religious identity.
Cord Jefferson's hilarious and thought-provoking film continues a long-standing cinematic tradition, expanding the conversation around the impact of systemic racism in today's media.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.
Joann Kohng’s Subject to IX tells the heartbreaking truth of the Title IX rules that colleges abide by.