Kurosawa’s ‘Ikiru’ Comes Back to Life in ‘Living’
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.

Jacek, a young violinist, falls in love with reciprocity with the cellist Ania. Ania's mother is against this relationship. So she sends Jacek to Cracow to get an antique violin. In the meantime, he and Ania go to New York. Jacek returns to Warsaw as soon as possible. However, the last train from Krakow has already left. On the platform, however, he meets people who are going to Katowice, from where the fastest train to Warsaw leaves. On the train, Jacek meets miners who are going to Warsaw to protest. He accidentally gets soiled with coal, which causes airport security to take him for one of the protesting miners who want to plant a bomb on the plane. Jacek runs onto the runway, but on the stairs to the plane is hit by anti-terrorists trying to prevent the alleged bombing.
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
Spiral could easily spawn new sequels and will most likely churn a decent profit. Is it a good Saw film? Absolutely. Could it have been revolutionary though? Also yes.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.