Ocean's Eight (2018)

Barbie has been the subject of much speculation, hatred, and heartfelt appreciation during the weeks that followed its release. The Internet seems to be still talking about it just as much as it was a month ago. It tells the story of how Stereotypical Barbie (Margot Robbie) starts experiencing human feelings and bodily flaws. Weird Barbie (Kate McKinnon) surmises that this is possibly due to the human playing with her doll in the real world having complicated and sad thoughts. So Stereotypical Barbie goes to the real world in order to help the child who’s playing with her so that she might go back to being plastic and perfect. Ken (Ryan Gosling) accompanies her and this has dire consequences when he returns to Barbieland before Barbie.  While Ken discovers patriarchy and goes back home, Barbie is appalled by it and meets her kid, Sasha (Ariana Greenblatt), with hopes of finding some answers. 

Barbies of Barbieland imagine their feminist history actually solved the issue of gender politics in the Real World. Sasha tells her about Barbie’s complicated past with body images and Capitalism but rather harshly. Sad and lost, Barbie goes to Mattel in order to complain and there she meets Sasha’s mother Gloria (America Ferrera). Turns out, it’s Gloria’s thoughts that have been haunting Barbie, and not Sasha’s. To provide them comfort, Barbie takes them with her to Barbieland, only to discover that Ken has taken over the land and established a patriarchy. The journey of taking back Barbieland from the Kens has been lauded by many for its take on feminism and femininity and how it celebrates womanhood and sisterhood. But it has been subject to its fair share of criticism as well. Some of it is from disgruntled men like Ben Shapiro who aren’t happy a film with a powerful, albeit confused, feminist message is so popular, but some of it definitely has merit.

“Anti-Men”

By far the most ridiculous criticism of the film claims that it openly despises men. This was primarily men taking to social media in the first few days of the release of Barbie. It was a reactionary stance to take, a response to the women flocking to social media to laud the film for making them feel seen and heard. Piers Morgan (see below) was, not unexpectedly, a spokesperson for this group of men, and there are multiple discrepancies in his criticism of the film. Then there was Ben Shapiro who bought and accessorized Barbie dolls before posing them in their car and doing a photoshoot, which he followed up by burning them. This kind of pettiness doesn’t deserve a space in serious film criticism, but it’s an interesting aspect to study. The film’s ending, although a little complicated and oversimplified at the same time, tries to make a point about toxic masculinity and how having to put up a performance of strength makes the patriarchy detrimental for men as well. So it’s effectively anti-patriarchy and not anti-men, but the aforementioned men and their fans are blissfully blind to this message. Is it because the messaging is too subtle or because a female-led film being so successful challenges their already fragile sense of masculinity and their ego?

With COVID-19 cases on the decline and vaccinations on the rise, more and more movie theatres are reopening their doors. If you're anything like me, though, you're still working through the backlog of content on all those streaming services you subscribed to during quarantine. So far, HBO Max has impressed me the most with the size and caliber of its library. Before you cancel your subscription, check out these movies and shows that earn high marks for both quality and diversity.

This critically acclaimed Brazilian film offers an unflinching look at organized crime in the titular "city," a suburb of Rio de Janeiro. The vast majority of the cast were unknown prior to City of God. In fact, some of them (particularly the child actors) were residents of favelas: rural slums in Brazil that date back to the expulsion of formerly enslaved African people from major cities. Casting people from the setting that the film portrays results in a raw realism that may not have been achievable with professional actors. Douglas Silva stands out as Li'l Dice, a deeply disturbed and deeply disturbing child who grows up to be a sadistic drug lord. However, while City of God doesn't shy away from the horrors of organized crime, it also emphasizes the systemic failures that lead people to commit crimes in the first place.