Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Filmmaker Rodrigo Dorfman goes in search of his revolutionary roots in Chile and in the process finds it in the euphoria of the Occupy Movement.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.
'Selena: The Series' loses sight of the story's heart: Selena herself.
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Poor Black characters are usually surrounded by crime and violence, while poor White characters are portrayed as noble and hard-working.