The Ultimate North Shore Dream in Blue Crush
If you want to feel the rush, you have to take the risk.

Park Yong-joo is the Joseon time's greatest playboy and he messes with the wrong woman. His life is in danger so he runs, begging the heavens for a life of freedom. Surprisingly, he time-slips to the 21st Century. There, Yong-joo meets two women who is possibly worse than him and he thinks he's finally in a world of freedom. He spends the most pleasurable time with the women but he soon realizes that it's not all pleasure. "What is this for?" "For obscene heaven!"
If you want to feel the rush, you have to take the risk.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
An uncomplicated, family-oriented man struggles to adjust to an ever-changing world, especially after suffering a loss. Even for the early 1900s, a less complicated time in many ways than now, Robert Grainier (Joel Edgerton) is a simple man.
We all have our kinks and fetishes and what turns us on the most. Dog Lover details a serious (and at times unhealthy) look at a fetish that might go a little too far.
A throwback to the last months of the 20th century in this comedy film.