13 Going On 30 Shows Teens the Reality of Adulthood
"13 Going on 30" tracks the tricky transition from adolescence to adulthood.

Yeon-woo is a 24-year-old youth working at the post office in a small town. She's in the golden age of her days, except she has an innocent and introverted personality, and she's far from the usual storm and gale of life. She's hasn't even tried drinking yet, let alone coffee and those around her consider her still young. However, she's completely different from her family. She has an irresponsible father, an impossible brother, a shameless grandfather and a very young brother. All they ever care about is...women. Her father is already head over heels for a woman from out of town and her brother is also after the girl working at the coffee shop. Her grandfather, who's after a granny at the nursing home and her youngest brother whose heart is out to the teacher, are nothing compared to her father and brother. The only person who deserves to be called the breadwinner of the family is her mother who runs a salon.
"13 Going on 30" tracks the tricky transition from adolescence to adulthood.
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With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
‘A Good Person’ makes it clear that forgiveness is hard.