After Khemtid, a pigeon from the late 19th-Century Bangkok consumed a contaminated waste near Sanam Luang—a site shaped by overlapping histories of state power, ritual practice, and public life—time ceases to age him. For the next hundred years, Khemtid wanders the city beneath the shifting skies of Siam, bearing silent witness to the nation’s restless metamorphosis.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
Ultimately, Wicked is a story about the cost of being othered, the pain of being misnamed, and the quiet revolution of standing in your truth.
Rip Tide is a coming-of-age film that teaches viewers about finding yourself and reconnecting with surroundings.
The iconic title character stars in her own horror and gothic TV series.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
