In a city of the East, the throne of the young king Amad is usurped by the evil Vizir Jafar. The king is imprisoned, and in prison he meets the famous thieves of the kingdom: Abdul, Abel, Abol and Abil. With the help of these thieves, the king flees and, during the escape, knows the princess Alina, by which he falls passionately in love. The Vizir possesses magical powers, faced by the heroes with the help of the genie of a lamp found by Abdul. With the help of the genius, the four friends are transported to the twentieth century, where they cause much confusion and end up being arrested.
The film is a simple love story reminiscent of stories like The Notebook released in 2004. Sylvie and Robert are rarely actually together in the film, however; time and circumstance keep them away from each other, and the audience waits with bated breath to see them find one another over and over.
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.
To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.
Mahavatar Narsimha (2025) brings the epic tale of Hiranyakashipu to life with stunning animation, intense action, and a bold retelling of this timeless mythological drama.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
