‘Malcolm & Marie’: A Promising Premise With Disappointing Results
Sam Levinson's latest film can't keep up with the excellence of its performances.

A couple takes refuge in an underground car park during an epidemic. She is desperate, having been wounded and infected and he tries to help her overcome the pain while he tries to instill some hope in a future that seems uncertain to them. She does not believe in his words, her boyfriend, only to find that the moment that he saved her from an infected person, he ended up wounded and subsequently infected. From now on generates an atmosphere of discomfort and attempt at reconciliation by both. The last proof of love. The last flame. The last chant. The Swan's Song.
Sam Levinson's latest film can't keep up with the excellence of its performances.
Kate Winslet and Saorise Ronan deliver stellar performances in a film that doesn't live up to its potential.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.