An Interview with Writer/Director Albert Acosta
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.

School ends and the long-awaited vacations begin. This summer is special. Abir is finally going to the beach. She has never been at the sea and, thanks to her friend Nur, and behind the back of her dictatorial parents, they have come up with a plan to fulfill their dream of bathing together in the Mediterranean Sea.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
For a young girl who wishes to keep her current traditions, this holiday will end up with a surprise twist.
The Gates, John Burr’s new thriller film, is a disturbingly realistic portrayal of three Black twenty-somethings - Derek (Mason Gooding), Kevin (Algee Smith), and Tyon (Keith Powers), as they accidentally take a wrong turn into a gated community that’s more like a modern-day sundown town. The three friends witness a variety of crimes in their new surroundings, including an attempted homicide and an attempted rape. As they attempt to alert the authorities and do the right thing, they are thwarted at every turn by the worst horror stories of American conservatism - racist white suburbanites, reckless gun violence, corrupt police, religious mania, and a megalomaniacal pastor.
The June episode of the Incluvie Movie Highlights provides 3 new and buzzworthy films presenting different types of love: Good Luck to You, Leo Grande with intimacy, Father of the Bride with familial love, and this month's feature - Fire Island, with intimate and romantic love. Movie Critic Melanie Ojwang joins us to discuss Emergency.
"Black Widow" has strong female characters but sidelines its title character and serves as a launchpad for her successor, Florence Pugh's Yelena.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.