Sister Kelly Wrath transforms from a nun with a simple temper problem to a vengeful killer. After being gunned down in an alley, she ascends to Heaven to receive training from some of the great figures of religious mythology—Moses, Gandhi, and Jesus Himself. She is sent back to Earth to join the other members of the Order of the Black Habit, a group of supernatural vigilante nuns as they seek revenge against the mob.
Richard Griffin
Director
Sarah Nicklin
Sister Wrath
Alexandra Cipolla
Sister Pride
Shanette Wilson
Sister Lust
Rich Tretheway
Momma Rizzo
Brandon Luis Aponte
Richie Corbucci
Michael Reed
Jesus / The Devil
Debbie Rochon
Mother Superior
Lloyd Kaufman
The Pope
Ruth Mahala Sullivan
Sister Gluttony
Peter Morse
Meatball Mobster
Lilith Astaroth
Go-Go Dancer
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
In 1971, when discussions about how to integrate their school system break down, the community of Durham, North Carolina agrees to bring in Bill Riddick(Babou Ceesay) to conduct a series of summits(charrettes) to help them move forward with desegregation.
Adapted from a 2014 novel by Atticus Lish, Preparation for the Next Life is the feature film debut of documentary filmmaker Bing Liu. With the help of screenwriter Martyna Majok, he paints a realistic and somber portrayal of Aishe, a Uyghur immigrant, as she struggles to make a living while undocumented in the United States.
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.