Love it or hate it, the Eurovision Song Contest has not only redefined Europe, it has redefined music. Conceived in 1956 as a great televised musical event which would bring peace and harmony to Europe, it has since launched meteoric careers and made hits of songs such as Waterloo, Volare and Boom Bang a Bang. It has also bred an annual hotbed of political intrigue, racial rivalry, allegations of bribery and plain old sour grapes. In this programme Abba, Sandie Shaw, Cliff Richard and many others sing while Katie Boyle, Bucks Fizz, John Peel, Michael Ball and Johnny Logan try to explain that special Eurovision "ring-a-ding-ding".
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
A collection of the ten best films that captured William Shakespeare’s pathos the best, both for the diversity they bring, and of course “the aesthetic."
The genres of science fiction and fantasy are not exclusively masculine territory. Over the last few decades, female directors have brought to the screen some of the most visually stunning, intellectually daring, and deeply moving works of speculative fiction. From big Hollywood productions like Wonder Woman and Captain Marvel to independent low-budget films, women filmmakers are making a name for themselves around the world.
Supergirl is a decent movie, anchored by great action scenes and a great lead performance
The Loud House movie follows Lincoln Loud and his 10 sisters taking a family vacation to see their ancestors in Scotland.
Disney has kept its word and allowed a new generation of Black and/or African storytellers to tell their own original stories. The question remains, will the public keep their word?
