Pro-Capitalism and other Antiquated Ideas on Court TV
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.

Out-of-work detective Goro decides to help out at his boyfriend Kunihiko's company. Putting his sleuthing skills to good use, Goro throws himself into his work, earning high praise — and a large reward — from Kunihiko's boss. Suddenly flush with cash, he goes on a binge of indulgence and infidelity, almost neglecting his work completely. Worried that Goro is spiralling out of control, Kunihiko seeks advice from his boss, but finds himself drawn into a deep, forbidden relationship... Meanwhile, Goro is asked by one of his lovers to investigate a cheating partner, but the target is the last person he expects: Kunihiko's boss.
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
A direct fall into the white savior narrative
While subverting the conventions of Golden Age cinema with the characteristics of a slasher, Pearl studies the delusions of grandeur inspired by the movies.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.