"Mothra" Still Rocks
The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.

Jan Peters films and talks every day, every day fills a reel of Super-8 or 16mm film. He speaks to the camera, or records a commentary on the images he is filming. For a month, Jan Peters tries to reflect on different themes, and events sometimes come to upset his plans. A quasi-police investigation in Belgium interferes with an intimate relationship; technical problems of all kinds (sound, image, light, film development, automobile mechanics) force the filmmaker to invent other solutions; a debate between filmmakers on the theme of the power of images turns into burlesque; artist friends want to contribute to the film that is being made. Thus, day after day, a film is built. Some things are planned, others are not.
The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.
Rip Tide is a coming-of-age film that teaches viewers about finding yourself and reconnecting with surroundings.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
This Nickelodeon live-action TV series features strong Black representation.