A repatriated man is killed in a small town. No one knows who the killer is. The chief investigator takes the case himself and starts unraveling the mystery.
Esat Ibro
Director
Llazi Sërbo
Andi Rama, Hetuesi
Thimi Filipi
Gramozi, Kryetari i grupit hetimor
Jani Riza
Lame Kurrizi
Stavri Shkurti
Manol Gjinaj
Perika Gjezi
Elmazi
Mario Ashiku
Profesor Kallmi
Marko Bitraku
Selmani Hivziu
Ilia Shyti
Shoku Ziber
Dhimitër Orgocka
Xha Fanja
Gulielm Radoja
Peshkatari
Zhani Ziçishti
Xha Kozi
Curry Barker’s film, Obsession, soars in success this past May leaving everyone who has watched it in extreme chills and disturbance. And taking it to new levels of why men are always the root of horror films even when they try not to be.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
A homeless girl faces depression and uncertainty during the holidays.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.