Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

NOSEBLEED follows a pivotal week for long-time best friends Lilah and Coby, whose friendship is morphing into something far more venomous and toxic.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
Adrian Chiarella’s Leviticus is a beautiful, poignant, enraging, gut-wrenching, and heartbreaking film about the trauma and harm conversion therapy inflicts on young queer people. Even though its classification as horror holds, the emotional bond between the two main characters, Naim and Ryan, elevates the story into a realistic romantic drama on par with Eternal Sunshine of the Spotless Mind.
A pampered dog who gets lost and has to learn to live on his own while being flexible with surroundings.
Like most young people, Leviticus is imperfect. But I love it anyways.
The tale of two friends spans three films and gives wonderful representation for young girls everywhere.