Joyfully Chaotic, 'Why Don't You Play in Hell?' is a Must-See
If you enjoy Japanese cinema, absurdly violent action films, gangster flicks, or joyfully strange cinema, 'Why Don’t You Play in Hell?' is a must-see.

Filmmaker Angelo Madsen Minax returns to his rural Michigan hometown following the death of his infant niece and the subsequent arrest of his brother-in-law as the culprit. Using the audio-visual approaches of essay film, first-person cinema vérité, staged actions, and decades of home movies, Madsen navigates a town steeped in opioid addiction, economic depression, and religious fervor, while using the act of filmmaking to rebuild familial bonds and reimagine justice. Posing empathy as a tool for creating a more just world, North By Current does not seek to investigate a crime, but creates a relentless portrait of an enduring pastoral family, poised to reframe and reimagine narratives about incarceration, addiction, trans embodiment, and ruralness.
If you enjoy Japanese cinema, absurdly violent action films, gangster flicks, or joyfully strange cinema, 'Why Don’t You Play in Hell?' is a must-see.
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.
The singer recounts the memories of writing and creating her record-breaking debut album and shares her feelings as a young woman navigating a specific time in her life.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.