In 1904, in Dublin, James Joyce chats up Nora Barnacle, a hotel maid recently come from Galway. She enchants him with her frank, direct and uninhibited manner, and before long, he's convinced her to come with him to Trieste, where he has a job with Berlitz. Over time, Nora pulls him through phobias, tolerates his drinking, takes in his brother Stan, and bests Joyce at 'the writin' game' to bring him back to Italy from Dublin where he's gone to open a cinema. But his sexual jealousy threatens the relationship and sends her back to Galway with the children. Is there any way to tame Jim's green-eyed monster? And, will the lad ever get his stories published?
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
Miley Cyrus shares her struggles as a songstress with a young audience, all while staying upbeat for the Disney brand.
A South Korean romantic drama film that brings a strong first love story.
The Sandman features a plethora of LGBTQ+ characters and is openly expressive about it!
Dramatic Horror!!! Wait, what?? Did you say "dramatic horror"?? IS there such a thing?? I mean, TRULY. Well, if San Francisco-based, Pakistani-born independent filmmaker Dr. Hassan Zee and this film critic have anything to say about it, there IS such a beast as experienced through the director's newest feature film set to officially debut October 4th in the City by the Bay. Folks, indie film will always be a bastion of experimentation and originality, and this film for me fits that bill.
The film follows the biblical story of Moses, from his time as a prince of Egypt, to a leader for the people of Israel. It’s a film that works brilliantly in animation, and is one that both children and adults can; enjoy despite its religious contexts, it is friendly to general audiences.
