nor any memories of the turning backs 

Disney movies have taken a bit of a downward turn recently. How come?

I hope that more people will see Joyland, understand the situation, and eventually change themselves and society so we can have a more accommodating world where everyday tragedies like the one depicted in the film do not occur.

Emily and Stephanie are back... just add gin and drama.

I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.

Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.

The story of the singer's career in her Sweetener World Tour is told in this featured documentary film.