Incluvie Film Festival Review of 'Sleep No More'
This short film was an overall creative success.

Looking back at footage of Venice Biennale 2011, The Artist remembers the optimistic feelings felt at the time, the projected careers, the romantic setting and how art meant something. The Finnish pavilion was closed when the footage was shot because of a fallen tree. Was it a sign? The sinking city echoes The Artist's current sense of resignation. The piece shifts from video footage into cartoons with speech bubbles, perhaps in an effort to reclaim the voiceover from a romanticising of ennui that seemed to be setting in. Is this a new beginning? Liberated from its ambitions for an illustrious career, art has now become a more metaphysical means of survival.
This short film was an overall creative success.
"Marriage Story" is a narrow-minded and heavy-handed attempt to examine the complexity of human relationships.
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.
Overall, The Shining is a great film to watch for its atmosphere and setting. While the characters’ portrayals could’ve been more accurate to the book, they’re all still memorable nonetheless.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.