Heartbroken and flat broke, Greg (director Zebulon Zang) struggles to reenter the workforce and suffers a series of seriocomic indignities, including single-handedly crewing an experimental film. As Greg’s existential dread steeps, Zang reveals himself to be a keen observer of human nature who’s capable of mining rich absurdity from the mundane.
Housefull 5 attempts something bold with two endings — but does the gamble pay off? Read this spoiler-filled review for a breakdown of both versions, standout moments, and why it might be the franchise’s most forgettable entry yet.
'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.
It’s not often in America that you turn on the TV and see a show or a movie with a Muslim protagonist. And when they do, they're usually a negative stereotype. Ms. Marvel changes all of that.
This theatrical sequel based on the PAW Patrol series features voice actors of color in this action-packed adventure.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
Since Season 2 of Peacemaker is currently airing, let’s revisit the movie that started it all.
