Nollywood 

A man invents the internet with the help of an otherworldly force. But he soon learns that not all is what it seems. A delightful sequence of images for a delightful fictional story about what lies behind.

The sequel to the 2010 live-action movie focuses on sibling rivalry.

Given a choice between a man and a mountain, it’s safer to choose the mountain.

These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.

We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.