A couple's anniversary celebration takes a turn when a wine bottle spills, bringing unspoken questions to the surface.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
This Christmas movie gives viewers a friendship that unexpectedly forms from a plane trip.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
Izzy and Prince Thomas learn that taking control of their own destiny requires following their hearts and making their own decisions.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
Monster's plot is built around Steve Harmon's false accessory to felony murder accusation, and the anxiety and desperation experienced by him during incarceration and the corresponding trial.
