
A family convenes exactly 500 years after Charles V grants permission to Lorenzo de Gorrevod ‘to import 4000 Africans into New Spain’. The King’s act marks the escalation of a rupture, with its origins in 1492, that remakes the world and reverberates into the present. This apparent “start of slavery” becomes an occasion to tell the story of one family’s implication across time and space. In nobody’s word Taylor digitises and disintegrates the family archive in order to reframe accounts, destabilise claims and inhabit spaces between fact and fiction, questioning the narrative impulses that inform the stories we tell.
As many of us know, Marvel Studios has taken an interest in women-led superhero films, but some of us are oblivious to the women behind the camera and pen.
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.
Lucifer is a show with both comedy and drama, but most importantly, has charm. Well aware it’s following a silly premise, the show does so in a way that’s entertaining. Sure, sometimes it can be cheesy, but fun cheese.
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.
This live-action Barbie movie brings strong feminism and topics about blondes.