The Phoenician Scheme: A Man of No Identity
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.

This is the story of writer Alberto's long journey to Stockholm, where the Nobel Prize awaits him, in a blazing Maserati. He is accompanied by Alessandro, a young journalist whose job is to interview him along the way. Personal and generational dynamics arise between the two men, leading to misunderstandings, jealousies, quarrels, separations, love quarrels and so on, but also to growth for both of them. A story full of twists and turns and always played on the edge of irony.
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
“There’s always something you can do…to make people feel like they’re welcome”
The legacy of this movie starts off the film series with a bang of magic, plot twists, and battles.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
The coming-of-age story that brings viewers into the world of Broadway, New York City, with musical talent and LGBTQ leads.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.