Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

No Tickets At The Door is an in-depth look into Toronto’s diverse underground music scene and the myriad of challenges that musicians, promoters, and venues are facing during COVID-19. Questions about creative survival and perseverance during lockdown, as well as the overwhelming effects of merciless gentrification, are actively raised and discussed by the community. Part documentary, part love letter to the scene, filmmaker and musician Danny Alexander explores the creative impulses that are driving musicians today while paying close attention to the endangered status of Toronto as an incubator for the arts. Featuring interviews with prominent contributors such as Sook-Yin Lee, Dan Burke, Luna Li, Vypers, Alaska B, and TRP.P, owners of historic venues like the Horseshoe Tavern, and local politicians who are championing the arts, No Tickets At The Door examines the importance of music communities in the modern age and what is at stake if a city is no longer hospitable towards them.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
A teen comedy that nobody wants to see.
This little Netflix film was very inspirational. It passes the Bechdel test, and features a different worldview with rural Indian representation.
“The most disrespected person in America is the Black Woman/the most unprotected person in America is the Black Woman,” Director Spivey Jr quotes. The quotes are absolutely true. Misogynoir is a devastating social ill that is not given the weight it is due.
A working class mom searches for her daughter.