With more than 300 hours of film shot during the 2010 Tour, 'No Room for Rockstars' documents the true stories of modern era rock and roll . From the kids traveling cross country in a van playing parking lots to gain notice, to the veteran stage manager whose life was saved by the Tour, to the musician who crosses over to mainstream success while on the road.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
Masterful satire that shines a light on the struggles of Black creatives.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.
