"No Reservations" is social commentary inspired by true-life events, giving a hypothetical look at what life would be like if the roles in Standing Rock were reversed. Protests erupt as an upper-middle class Caucasian neighborhood attempts to thwart the construction of a pipeline from an Indigenous Corporation.
Trevor Carroll
Director
Lorne Cardinal
Joseph Sillwater
Bradley Duffy
Peter Whiteman
Denise Jones
Marilyn Whiteman
Terry O'Sullivan
Mrs. McSweeney
Darcey Johnson
Odd Neighbour #1
Kalvin Olafson
Odd Neighbour #2
Kyle Warren
Caucasian Squad Member
Willy Ross
Mr. McSweeney
Cameron Grierson
Hockey Dad
Ty Nelson-Lowden
Hockey Son
Wayne Charles Baker
Elder Community Leader
... La huesera haunts her daily life, leaving people to question her viability as a mother, and Valeria’s lack of satisfaction with her life leave her asking similar questions. These misgivings reach their peak after the baby is born, when Valeria, visibly in a state akin to possession, locks her in the fridge when she won’t stop crying through the night
At this time, there are 29 films in the Marvel Cinematic Universe's epic multiverse of superheroes and villains. The MCU has become quite marvelous indeed, with Shang-Chi and the Legend of the Ten Rings as the newest one. There are so many interwoven stories, themes, character arcs, timelines, and dimensions! In order to keep track of the MCU saga and figure out what to watch when, here’s a list of those that have come out -- as well as what's coming up! With links to the Incluvie movie - plus related articles and Incluvie scores.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
The Brazilian filmmaker Alexandre Alonso’s Hunter is a film with a lot of ideas, but with very little holding those ideas together.
While prioritizing production value over substance, Flood depicts an emotionally taut family drama set during the farmland flooding of the Franco-Dutch war.