An Interview with Writer/Director Albert Acosta
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.

Abandoned by his father as a boy, Yuta grows up as the foster son of a restaurant owner and takes over the restaurant at the owner's death. Cheery, always smiling, always helpful, Yuta is known as Yama-chan, the friend everyone turns to. When Yuta discovers he had a hitherto unknown baby brother, he sets out to track him down. But the baby brother, Yusuke, has grown up to be half of a successful comedy team, the Kinjo Brothers, and Yusuke's professional "brother" has just written a best-selling book about their adventures growing up together. Yuta's appearance on the scene threatens to reveal that the book is a complete fiction and to set all three "brothers" into conflict with each other.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
Though often underwhelming as a whole, Nevertheless is worth the watch because of the relationship between Sol and Jiwan. It is a stunning, refreshing take on the friends to lovers trope that LGBTQ media has been missing.
I think these messages and the way they are presented in this small-town in Texas are increasingly more important as the internet/ social media becomes more and more critical and judgemental every day. Love yourself today and every day because as Ru Paul always says: “If you can’t love yourself, how in the hell are you gonna love someone else?”
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.