Sigga and Didi are sisters who lost their mother when very young and were separated. Since then their lives have taken very different paths and their characters have come as different as black and white. When they meet in their twenties the pair take a run through Reykjavik, ripping off drug smugglers and dealers and partying while escaping from the thugs.
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
Much more than a meme, 'Barbenheimer' actually diversifies viewer bases and spreads the important message of both films wider than they otherwise would have!
Marcel the Shell with Shoes On is the most human movie of the year. It is based on the 2010 short of the same name that follows a big-hearted, little shell named Marcel as he navigates through life in a human-sized world.
