“Keanu” Paved the Way for “Get Out”
Jordan Peele's turn to horror with "Get Out" isn't as unexpected as it may seem. He primed his fans for a disturbing and nuanced exploration of racism with his work on "Keanu" and "Key & Peele."

It was one day after summer vacation, in 2008. Sojeong, a senior high school student, lives with her sick mother, but dreams to live alone and be a musician though the reality is frustrating. Just listening to music on MP3 and writing down the lyrics of the songs she wrote on her mini-homepage is Sojeong´s only escape.
Jordan Peele's turn to horror with "Get Out" isn't as unexpected as it may seem. He primed his fans for a disturbing and nuanced exploration of racism with his work on "Keanu" and "Key & Peele."
The original series is now on Netflix, you should definitely give it a watch. And if you’ve already seen it, watch it again.
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
An action film led by two queens, fighting for what they believe in through power and pain.
"Warrior" is a Bruce Lee written and inspired story that follows a diverse cast of Chinese American characters and does a terrific job of setting the story in 1878 San Francisco - all without pulling their punches with the systemic racism, discrimination, and struggle for power that old and young immigrants that crossed the country at that time had to go through.