“Clayface” Does Not Save a Cat
This feels like the creative team wanted to make a body horror film, but the studio wanted to make another generic blockbuster.

The documentary unfolds through the stories and recollections of his 102-year-old grandmother Mary Mirabito, an outspoken and fiercely independent woman. In a revealing and often hilarious portrait, Mary dispenses homespun wisdom while divulging family secrets and rivalries. The film reveals many of the common truths hidden away in all our families, as well as the unexpected - late night visits from Jack Kerouac, illicit love affairs and the occasional murder.
This feels like the creative team wanted to make a body horror film, but the studio wanted to make another generic blockbuster.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
As a huge fan of Sean Baker’s Tangerine, The Florida Project, and Red Rocket, I’ve wanted to watch Anora since before it even was released. But life got in the way, my watchlist grew, and honestly, the fact that it was marketed as a romantic comedy put me off. Even with all the critical praise and the five Academy Awards it won last year, I just kept postponing it indefinitely.
When the world lost Chadwick Boseman on August 28, 2020, we all saw the impact of representation in film. Boseman was not only a Black superhero leading a Black cast in one of the most successful films in history; but his successes paved the way for more, long-overdue diversity in Hollywood.
The short documentary and second place winner of the Incluvie Short Film Festival, Gender Outlaw: A Bodysurfing Story, challenges any simplistic understanding of trans people.
Can a homeless yet optimistic teenage girl learn to accept a helping hand?