On the cusp of turning 40, wheelchair badminton champion Nina Gorodetsky, has her first and maybe last, chance to participate in the Paralympics. However, she is negotiating a ticking biological clock both as a mother and as an athlete. What would she be willing to sacrifice to realize her Olympic dream?
Taika Waititi and the cast of Thor: Love and Thunder have been hyping up the gayness of this movie, and while there are queer characters, it's not quite the representation we were hoping for.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
Escape The Field is a serviceable horror thriller. The characters are easier to remember as horror character tropes. As I wrote this review, I only remembered the characters by their tropes: #FinalGirl, #Everyman, #Badass, #MeanB*/SexyGirl, #Realist/BlackLesbian, and #TheNerd.
The film, which focuses on an Argentinian family during an intimate birthday dinner, efficiently captures the eccentricities of each character as well as the nuances of their interpersonal dynamics.
Sailor Moon Crystal wisely makes the decision to adapt Season 4's Dream Arc into an epic anime movie where the Sailor Guardians shine brightest.
Adrian Chiarella’s Leviticus is a beautiful, poignant, enraging, gut-wrenching, and heartbreaking film about the trauma and harm conversion therapy inflicts on young queer people. Even though its classification as horror holds, the emotional bond between the two main characters, Naim and Ryan, elevates the story into a realistic romantic drama on par with Eternal Sunshine of the Spotless Mind.
