“Disclosure Day” and Anthropocentrism
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.

Liu Yifei plays Elso, a reputed French flutist who travels from Paris to Chengdu. Her life is compared to the one of a night peacock, an eternal conflict between life and death, love and time. A night peacock, by Fabre’s definition, is a moth with the life goal of finding their soul mate.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
Lucifer is a show with both comedy and drama, but most importantly, has charm. Well aware it’s following a silly premise, the show does so in a way that’s entertaining. Sure, sometimes it can be cheesy, but fun cheese.
In 'Maestro,' we're left with an impression but not with an understanding of the main character.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)