The Genuinely Good and Painstakingly Bad of 'House of Gucci'
So do I recommend that people see this movie, yes 100%, but do I think they are going to come out of it with 80 hot takes, yes 100%.

The most glittering, expensive, and exhausting videotaping session in television history took place Friday February 19, 1982 at New York's Radio City Music Hall. The event, for which ticket-buyers paid up to $1,000 a seat (tax-deductible as a contribution to the Actors' Fund) was billed as "The Night of 100 Stars" but, actually, around 230 stars took part. And most of the audience of 5,800 had no idea in advance that they were paying to see a TV taping, complete with long waits for set and costume changes, tape rewinding, and the like. Executive producer Alexander Cohen estimated that the 5,800 Radio City Music Hall seats sold out at prices ranging from $25 to $1,000. The show itself cost about $4 million to produce and was expected to yield around $2 million for the new addition to the Actors Fund retirement home in Englewood, N. J. ABC is reputed to have paid more than $5 million for the television rights.
So do I recommend that people see this movie, yes 100%, but do I think they are going to come out of it with 80 hot takes, yes 100%.
If you mix religious rituals with dark mythology, the result will be effective, and the story powerful in 90% of the cases. That is exactly what happens at the beginning of The Vigil.
It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.
"Ladies First" has a fundamental misunderstanding of what's feminine because of the patriarchy and what women do because they genuinely enjoy it.
Throughout the film, Kate desperately tries keeping her status as an influential YouTuber; however, her follower and view count crumble, mirroring the world around her.