“Concrete Cowboy” (2021) Review: An Endangered and Unknown Subculture
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.

Two strangers – both hearing persons – form an instant connection at an American Sign Language event, talking exclusively in ASL. They spend the night together, strolling through NYC, enjoying a newfound attraction without a spoken word uttered between them.
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
This coming-of-age movie discusses immigration issues in the United States through the eyes of two exchange students in Brazil.
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A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.