Love, Regret, and Art: Pandemic Lessons from Station Eleven and The Real World
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.

Step onto the sidelines and stand with legends such as Joe Montana, Jerry Rice and Bill Walsh as you watch one of the most successful teams in NFL history work its magic. From "The Alley Oop" to "The Catch", McElhenny to Montana ..."Joe the Jet" to Flash 80...Bill Walsh to George Seifert, the San Francisco 49ers boast a deep history of brilliant coaches, hard hitting defenses and high powered offenses. Now, here is a DVD collection no true 49ers fan can do without. "As Great As Gold" takes you on a tour that follows the team through the fabulous 50's, covers their resurgence in the 70's and highlights the glory years of a dynasty that won 5 Super Bowls. You'll also see the 1981 NFC Championship game, a see-saw battle which helped put the 49ers on top of the NFL's pecking order.
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
It’s no wonder Peele won an academy Award for Best Original Screenplay. His script is layered with perspective and subtlety. Through a terrific vision, Peele creates the gift that keeps on giving. The clues and symbolic representations are aplenty, and as each viewing passes, you are destined to find something new. That’s a mark of great cinema.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
Rare in the days of franchise sequels and indie horror films that dominate the screen in 2026, Netflix’s latest original release, Remarkably Bright Creatures, is a feel-good family movie that leaves nothing to be desired except tissues. Starring Sally Field and Lewis Pullman as two cleaners at a small-town aquarium, Remarkably Bright Creatures reminds viewers that humans are social animals whose strength comes not from our intelligence or our opposable thumbs, but from each other.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.